Eight dancing bellies, backs, and sixteen buttocks, bending and brushing, bringing things, changing ranges, shifting gears, shunting and travelling, challenging,
shoving, recovering, dividing and doubling, demanding and declining.
by one hundred and ninety two willing eyes placed in four parallel lines on either side of a smooth studio space.
Then, fifty completed feedback forms laid out to be sifted, scrutinised, analysed, and summarised, whilst
the twenty steel toes of nimble fingered technicians, practitioners, choreographers, crew and costumier
chew over, chill, enjoying the moment, swapping spectacles.